阿蒂😏🤢米德的膝盖

For Le Geno😙🤑😇 u d'Artemide Jean-M_]`)a🤤@r🤪
😘ie Straub once agai🙂😝n c😑@hose 🤤
a dialogue b😅😉y, Cesare🤨  :Pav
🙄😔🤭?ese. And not jus😔😁t a;(ny dialogue😘🤭🤥, but 😁😪one t😬hat tea\🤣😷rs open a pa🤮😀inful, my😑+stic😉😒🥰🤮😉al abyss be!🤨t😇😂ween😷 lov😴😛🤭😋e and :😝\t🤑🤤he 🙄=🤥one left behind. The `🤐😇😌fil😆😶😔😄😑m is one single exhil 🤢😷aration a😒+(nd o😂😄😪ne sing😪 le rush, a 
😐sp🤣🤔ell=🤢 and di😘spersion into na,😬ture+😒😪😗.\😛 It rises fro😍:😁m a😚# dark sc🙃@🤥reen an?😑d😶😒😏😀🤣 chant to disappear in the woods with` the whisper😒😍 of 😴$😛🙃 the wi🤐🤤🤥😑n😂(+d. It has 😍😌# littl😔+😙
e 😁🤗😴;t^(o😏🤕 😜 do with 🤪😌😜w😊🤮🤤hat is _😋gen(😛er[😀😍🥰ally called «cinema». It h🤒as on😍😛🤣_e%🙂 f🤮😜🤐oot in the world beyond. 🥰/ 😐/😉 ?🤐 @) 🤗😚 🤭😐 [\ 😪😙 😏_ Na$😐t😏😄🤗ure h🤒🤫 as😄😴[😇 ten 😏😊🙄m😂:$)illion times the🤨😏+ imaginat😝io`😛n 😂🤪of the most imagi😀😙😁🤤na😘#ti#🤑😉/ve 😇😑/😃😄of artists🤮🙄. (Jean-Marie🥰😅) ,😷😏Straub)