德拉 克的回归

与Stefan Uher和Elo 😂😃😔,Havatta一😏😪样，Eduard Grecn@😑😋🙂er😂🤪也🤢*🙄😄是60😘😊😑(年代斯洛伐克新浪潮电影:=🤔的缔%^/*造者之一。他的三部影片《一=🤩😃周七天》（19😪😗64）《😅=🤢😛尼绒😊😐🥰月亮》（1965）和这部《徳拉克,+😉的回归》都是斯洛伐克新浪潮电影的代表作。😒(😘这🙃部叙🤮事方法独特🤑/带🙃😇😆有明显意😙识流风格的黑白影片甚%🤣$😄至间[😒😆接影响到了后来😇😍法 😌国🤒`导演格里耶在捷克拍摄的两部影片]🥰《说谎的人》和《Ede😉😂n 🤢🤪😊and*]😍😃🤪 After》。　　A😅😀😐 special place in the😆# developme-🤭nt 😉 🙄of feature films is r😐😉^eserve(😒.d f😄or Ed;😬u😁[[🤢ard Gre 😒🙄🤭c😔ne😙🥰@r,😘😙😄😬😜 the cr🤑😑😙eator o,😷f😁🤤@@ 😔😆just one g_?ood film, Dragon Ret🤒urns (D@😏
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[😶 the l🙂😊ead c%🤕h[a racter. 😉$After: ^_😑h😶🙃is initial🤒/!🤐 work w😪:😇🤮ith Uher, Grecner made his mar😅🤒@k as a proponent of the so-🤭😔😶c:(😴alled i🥰*😴ntellectual😙 f😇😛ilm, the antithes🙂😂!is o🤮😍f th#e sociol😷og😋[😌😇🤑ically,%, or r_ather, so)cially*^😐 critic$\al fil*🤔m.😅: 🙄😪Gr😘%😅/😔ecner]🙂😉🤒's g😚@rea😙-=😗t rol😂🤭😗e model was Alan 😑; Res😇🤮%+nai😛😚😜s, a[😷🤮 yo🤨]u/🤗🤨#n🤗=-🤨g Fre😶,🤮😁nch f😌😋il😬😌🙂mmaker who😃😗 so😀😅ught 😔🤑 😏😍to in,🤐(troduce Slovakia t]😊
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