O somm 😋a lu😶😚🙂ce

The \ *lines sta🤔🤔)r-😊?t wit😂😷h “O😴😂😋 Somma Luc`😜🤤e” which is the title of🤩😏🤔: the 😅?/😆fi🤭😴lm  and also th😌🤤e 67th line 🤤o😚f the 33r😪d c:🙃😐😒ant[🤕#o,🤐 in “Pa😇😝ra🤑🤔😏😊d/😉iso” of Da!nte’s “😷^Div😁😍ine😊+🤥 `😍*😷Come😀🙃%:d😘😆,y” to the end of “Pa🤭
ra🙃🤩dis-@o”.  T🤪🤑he film is completed ]-[with music and l😶🙄🤫🤢ines instead😊😷😘+ of emo😋tio😆.ns an/=🤗😑d narra😆😶😋t?😔@😝ions.  Thi🤣😁😪s is a_. rec😚-^/ent😘😚🤨! a😗.=ttem😚🤕pt [to c😂
😋?#ombine film😑😋% with literatu-😏re.　　T 😙🥰🤮he f😋🤕🤤+_i😇lm b😴*@egins😆🥰🤪🤑 with a(🥰?[ b?😗+lack 🤭🥰scre😒-en and the music 😐🤢of*😉 Edgard 😉/Vares e. The 😑🥰-😆B😌.😐😁GM is “Deser😝🤢ts😐😄 ” that was recorded🙃/ in!]🤕😴 19😍54. Af🤔😑]+(ter some m🤥😔om😀@😉😙en🤥😁ts of dark😝😔ness😀🤕😃, the mu😝😌s😔:😛ic e😙🤗nds and a m😄😗/🙄iddle-ag😁#ed man s`🤣its on a hill, re🤗%🤥citing something. He 🤒`is+🤕😝 [🤪Giorgio Passerone,/😶😂 🤪🤪an ;😂Italian litera🤮$tur🤢.😜%e profe/`s;🤤@sor😌😐🥰, %🙃and ]😊😀h,e is re😍🤮🤐🤮🤔ading out of the last 😅😑😚par😛t of ‘Parad(🤨😇😷iso’ of Dante’s Divine Comedy. 😌Je😬🤭/an-M😛😙arie Str🤔aub ex@,pressed how he thinks 😃 of ]😙\😐Dante throug 😅^h 😘🙄a sub😑🤐tl$
(😃e accent@* an🤣😋😍d dialect.😉😶 The di,rec🤢😒to🤨😋😴r wh`[o had;/😆 😂😁🤔encoded many great artists🙂🤨 😗@😂a😬 😶🤑😐nd musicians incl😄
uding 😒🥰[)Bach😶🤥, 🤭/com😊plete the 😏,c😇(om🤤/bination of D🤢a🙄,🤣nte a😂nd Vares😒^e, which coul 😶d seem😊🤭- stra🙂🤢)ng😂^😂😚e%😚. (Li😍!%😇m Kyun+g Yo$%ng)